AK—Film #1—Rashomon (1950)

It seems the two times I’ve watched Rashomon I was sleepy and not entirely alert. Likewise, the film has felt almost dreamlike in my mind (just watched it within the hour). Rashomon is about truth—or rather the subjectivity of —as well as the inherent good/evil of man. Much like a dream, it is difficult to make out what really happens. The same story is told several times from differing perspectives. Simiar Obi-Wan telling luke that Vader killed Anikan, the stories all contain a bit of truth in them, albeit from different points of view.

Much could and has been said about Rashomon. Symbolism, camera techniques, storytelling: Rashomon breaks ground in these areas and more.

Both the music and the camera shots are dreamlike at times—not a criticism at all. The pulse of the drums, the shadows of the leaves—everything plays on the senses.

Aside from Kurosawa’s greatness, Toshiro Mifune (above) really shows his acting talent here. Very charismatic and energetic. He holds a screen presence much like a Brando—suspending our disbelief and captivating the audience without encroaching on the film. Mifune gives exactly what the story needs: no more, no less.

Rashomon is probably the best starting point for Kurosawa and maybe early foreign cinema. Some have criticized it for being too western and not Japanese enough. I say Rashomon transcends cultural boundaries, establishing itself as world cinema. It takes the best of film everywhere, and innovates just enough. Most importantly, Rashomon ultimately leaves the story up to the viewer to decide. What do you take from it?

Much like my viewing, this post feels dreamlike. I do hope coherence made its way into the post somehow…

That concludes part one. In case you missed it, here is the rest of the viewing schedule:

  1. High and Low (1963)
  2. Sanshiro Sugata (1943)
  3. Sanshiro Sugata, Part Two (1945)
  4. Seven Samurai (1954)
  5. Throne of Blood (1957)
  6. Ikiru (1952)
  7. The Most Beautiful (1944)
  8. Kagemusha (1980)
  9. The Men Who Tread on The Tiger’s Tail (1945)
  10. No Regrets for our Youth (1946)
  11. The Hidden Fortress (1958)
  12. One Wonderful Sunday (1947)
  13. Red Beard (1965)
  14. Drunken Angel (1948)
  15. Scandal (1950)
  16. The Idiot (1951)
  17. Stray Dog (1949)
  18. The Bad Sleep Well (1960)
  19. I Live In Fear (1955)
  20. Dodes’ka-Den (1970)
  21. The Lower Depths (1957)
  22. Yojimbo (1961)
  23. Madadayo (1993)
  24. Sanjuro (1962)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: